Friend of The Millions, proprietor of Pinky’s Paperhaus, and all around great gal Carolyn Kellogg has landed at the LA Times book blog Jacket Copy. We have little doubt that she’ll do great things there.Following Heath Ledger’s untimely death, BBC looks at the myriad ways in which Hollywood has dealt with losing an actor mid-production, dating back to 1937 “when Jean Harlow died, aged 26, during the making of Saratoga. With filming 90% complete, a lookalike and two Harlow sound-a-likes (voice doubles) took up where the star left off.”Bookride is back with an intriguing look at the collectors’ market for Gabriel Garcia Marquez’s masterpiece One Hundred Years of Solitude. Don’t miss this tidbit: “By the way sending books to authors for signing is something of a gamble – Thomas Hardy used to keep all the books sent to him neatly shelved in a spare room.”Speaking of Garcia Marquez, Edith Grossman, the translator who has shaped the Latin American canon for English speakers over the last few decades, is profiled in bookforum.The New Republic offers the story behind the controversial New York Times John McCain/lobbyist story.The Morning News returns with its third annual Tournament of Books. Sadly, there will be no Bloggers’ Pool this year (despite our being eager to participate again), but Coudal Partners is sponsoring a betting pool for charity this year. As of this writing, On Chesil Beach and Run have had the most money thrown their way.A cartoon drawn on the pages of Moby DickAnd finally, McSweeney’s offers up some sweet Ashton Kutcher fan fiction.
“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
“What traits make Austen special, and can they be measured with data? Can literary genius be graphed?” The New York Times tackles the question of why, 200 years after her death, Jane Austen is still so popular. (One finding: the author“used intensifying words — like very, much, so — at a higher rate than other writers.”) See also: our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.