Tonight! Come out and meet The Millions! Listen to readings from Emily St. John Mandel, Sonya Chung, Michael Bourne, and Garth Risk Hallberg. Also, you can meet our editors C. Max Magee and Ujala Sehgal. Or, if you’re feeling testy, you can debate me in person about my recent eReader article!
Most of our internet browsing results in wasted time and too many cat videos, but Nora Crook stumbled upon Mary Shelley’s unpublished letters while researching an obscure 19th-century novelist. In the letters, which range from 1831-49, Shelley fawns over her son and even discusses a 3 a.m. trip to her hairdresser when she got a ticket to the coronation of William IV in 1831. The letters will be published soon in The Keats-Shelley Journal.
This week sees the release of Edward St. Aubyn’s final “Patrick Melrose novel,” At Last. A new, omnibus edition of all the novels in the series is also out. Steve Erickson’s new novel These Dreams of You is out, as is The Art of Hearing Heartbeats, a debut effort set in Burma by German novelist Jan-Philipp Sendker. This week also sees the release, on Blu-ray, of the 50th anniversary edition of To Kill a Mockingbird.
In his profile of Roger Angell, Sridhar Paddu offers this astute observation from Charles McGrath: “Which is the greater—Roger the writer or Roger the editor? It’s kind of a toss-up.” Bonus: Angell’s piece about Don Zimmer, who just passed away this week, is well worth your time.
Following a recent essay on the value of ambivalence, our own Mark O’Connell explores the nature of confidence in this week’s New York Times Magazine. Perhaps not surprisingly, he writes that this year’s Web Summit convinced him that tech moguls are congenitally more confident than writers.