In a timely article for recent graduates, The Missouri Review’s managing editor Michael Nye tells the story of how he came to steward one of the most interesting literary magazines in the country. Spoiler alert: it’s important that you like reading.
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
New this week: All the Birds, Singing by Evie Wyld; In the Course of Human Events by Mike Harvkey; Casebook by Mona Simpson; The Other Story by Tatiana de Rosnay; Vernon Downs by Jaime Clarke; and Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For more on these titles and other new releases, check out our Great 2014 Book Preview.
For the first time ever, this year’s National Book Foundation “5 Under 35” winners are all women. Congrats to Molly Antopol (The UnAmericans), NoViolet Bulawayo (We Need New Names, which was also just shortlisted for The Booker Prize), Amanda Coplin (The Orchardist), Daisy Hildyard (Hunters in the Snow), and Merritt Tierce (Love Me Back).
“Her characters sleepwalk to their certain fates through artificial pocket universes, each one seemingly constructed to satisfy the curiosity of an inhumane, omniscient narrator. Few writers have been so consistently and brilliantly unkind.” On Muriel Spark’s The Bachelors.
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)