November’s still a way’s away, so that gives you plenty of time to learn and master F. Scott Fitzgerald’s turkey recipes.
“So we baste on, birds within the oven, burned back ceaselessly into the past.”
On the Cover
Janet Hansen, designer for Alfred A. Knopf, explains her process in creating the cover for Steven Millhauser’s Voices in the Night. Look back on our comparisons of U.S. and U.K. book covers.
“Republics of Imagination”
Our love of The Atlantic‘s By Heart series continues with Azar Nafisi‘s contribution to the series: an essay on reading James Baldwin, the importance of literature to democracy, and how ultimately “we need literature to remind us how like each other we are, despite our differences.” Pair with Justin Campbell‘s Millions essay on race, fatherhood and reading Baldwin.
Waste of the Young
Fifty years after T.S. Eliot’s death, the poet’s estate has finally agreed to authorize a biography, which explains the publication of Young Eliot, a new book on his early years. Among other things, the book reveals details about Eliot’s first marriage, in which his wife Vivienne Haigh-Wood gave him the nickname “dearest Wonkypenky.”
The Best Case for Cloning
A 27 pound lobster has been caught off the coast of Maine. Now, who’s going to be the first to come up with a 50 pound dab of butter?
A Big Week for Wells Tower
Wells Tower is having himself a great week, and it stands to reason that when he’s having a good week, we’re all having one as well. After all, we get to ponder the potential of the script Tower wrote for You Shall Know Our Velocity, an upcoming film based on Dave Eggers’s novel of the same name. We also get to read Tower’s Garden & Gun piece on “the nervous work of owning – and finally loving – a Chihuahua.” And as though that wasn’t enough already, we also get to savor Tower’s gripping feature story in the latest GQ, “Who Wants to Shoot an Elephant?”
Xerxes, Xystus, and Xanthippe
Have Eyes, Will Write
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.