In 1993, River Phoenix was working on Dark Blood, an independent film that was supposed to be the underdog surprise of the year. But when Phoenix died three weeks before shooting was supposed to wrap, the project stopped in its tracks. Now, almost 20 years later, the original director and editor are piecing the bits together, and they plan on screening it at the Netherlands Film Festival in September.
It seems almost silly to mention it since the book’s been on shelves and discussed in the book pages for a couple of weeks now, but the “official” release date of David Foster Wallace’s The Pale King is this Friday. (Our review was published today.) Meghan O’Rourke’s grief memoir The Long Goodbye is out this week. And another look at our culture through the lens of our technology is now out, Steven Levy’s In The Plex: How Google Thinks, Works, and Shapes Our Lives.
In the Fall 2015 issue of n+1, Adam Ehrlich Sachs explores the idea of inherited disorders through nine short pieces. An excerpt: “He wanted the reader to think to himself: ‘I just read about the Holocaust. Why am I picturing this fern? What is the matter with me?’ Such was the literary effect he was aiming for.”
“A woman I did not know called me to help her with something I have always loved to do: write. Certainly it was fate, my involvement destined to be a seed for a fairy tale ending, I thought. I was wrong,” Scott Saalman writes about the moral challenges of agreeing to help someone with their writing at The Morning News.
“Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy.” Annie Proulx nabs the National Book Foundation’s lifetime achievement award. Check out her Year-in-Reading entry from this past year here.