In 1993, River Phoenix was working on Dark Blood, an independent film that was supposed to be the underdog surprise of the year. But when Phoenix died three weeks before shooting was supposed to wrap, the project stopped in its tracks. Now, almost 20 years later, the original director and editor are piecing the bits together, and they plan on screening it at the Netherlands Film Festival in September.
“Raymond Chandler did not invent the private eye — Dashiell Hammett and a few others got there first. But his vision is the one that caught the public eye and stuck most indelibly in the imagination, like — in one of his aromatic metaphors — ‘a tarantula on a slice of angel food.’” On a new biography of the man behind Phillip Marlowe.
I can’t recommend John Jeremiah Sullivan‘s 7,000-word article on The Pale King highly enough – not because he gets everything right, but because it’s what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
Out this week: Five-Carat Soul by James McBride; Unforgivable Love by Sophfronia Scott; Brother by David Chariandy; The Second Sister by Claire Kendal; and Go, Went, Gone by Jenny Erpenbeck. For more on these and other new titles, go read our most recent book preview.
With the erosion of the 175-year-old Times-Picayune, New Orleans will soon be one of the largest metro areas without its own major newspaper publishing every day. Over at The Atlantic, Emily Badger explains the sad saga of its demise as well as the complexities and uncertainties yet to come.
New this week: Visitation Street by Ivy Pochoda, Fin & Lady by Cathleen Schine, and, available for the first time ever as ebooks, Roberto Bolaño’s masterpieces 2666 and The Savage Detectives. There are many, many more anticipated books on offer in our big second-half preview, published this week.