I’ve loved old sci-fi B-movies forever, and a staggering number of my childhood memories involve Ray Harryhausen. For this reason, I’m really geeking out over The New Yorker’s entire science fiction issue, but in particular this piece by Colson Whitehead deserves your time.
Veterans of writing workshops will know that a good story has a heavy dose of conflict. One can add it to a story in many ways, but one of the best and most reliable is to add a predator, either in the form of a threatening organisation or an animal or person with malicious intent. At the Ploughshares blog, Year in Reading alum Megan Mayhew Bergman reflects on predatory literature.
"I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing." On Derrida, Foucault, and the deconstructionist defense of the canon.