Are you writing a novel about an escaped tiger? (They’re quite popular these days.) Well, if you hope to win the Booker prize, you’d increase your odds by 1,300% if you switched your theme to “death.”
Max Axe here. I was seven years old when the Garbage Pail Kids debuted and quickly became all the rage, so news that this Garbage Pail Kids book - with an introduction by creator Art Spiegelman - is hitting bookstores now is transporting me back to my schoolyard days. (Also, how did I not know until now that Spiegelman was behind GPK?)
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful -- she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung's essay on literary endings.)
What's it like to win the Literary Review's Bad Sex award? As 2010 "winner" Rowan Somerville reports, "It's a hard pill to swallow ... Despite the magazine's assertion that 'it's only a bit of fun' there's an atmosphere of bullying peculiar to public schools about the whole thing."
Is the global literary marketplace changing the way that novelists write? Over at Public Books, Dora Zhang writes on Rebecca Walkowitz’s Born Translated and books that “appear simultaneously or nearly simultaneously in multiple languages.” Pair with this Millions piece on literary translators at work.