Kate Mosse announced that Orange will no longer be sponsoring the prestigious Orange Prize for Fiction, given annually to the best work of English-language fiction written by a woman.
Orange to withdraw sponsorship of woman’s fiction prize
Books and Bankruptcy
McSweeney’s has a personal account of the end of an antiquarian book business. This is a bummer (the bankruptcy, not the writing of Bill Cotter, a very pleasant man to whom I once tried to sell a book). (Via).
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Edgar Allen Poe’s House on The Wire
Self-Absorption
A few days ago, our own Kaulie Lewis pointed readers to a LARB essay about Geoff Dyer, which nicely complemented a piece about the author our own Mark O’Connell wrote for Slate back in June. Now, at Full-Stop, David Burr Gerard suggests that Dyer’s strengths, which worked so well in Jeff in Venice, Death in Varanasi, may have hampered him in Another Great Day at Sea. FYI, our own Janet Potter reviewed the latter book for The Millions.
From Day Job to Night Job
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
Maya Angelou in the Kitchen
Maya Angelou's underrated cookbooks are as vibrant as her more prominent work.
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“Simultaneously less explicit and more explicit”
A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”