Kate Mosse announced that Orange will no longer be sponsoring the prestigious Orange Prize for Fiction, given annually to the best work of English-language fiction written by a woman.
Orange to withdraw sponsorship of woman’s fiction prize
Some doubles adverbial terms
If you happen to be looking for a long essay on peculiar and systematically ambiguous language of contemporary writing on fine art, and it's strangely anti-local lexicon Triple Canopy's got just the thing.
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What’s The Rush?
Benjamin Percy makes the case for slowing down, "the best thing [he] ever did for my reading, which might be the best thing [he] ever did for [his] writing."
Jake Adam York (1972 – 2012)
Deeply saddened to hear news that Jake Adam York died today. York published three critically acclaimed poetry collections between 2005 and 2010: Murder Ballads, A Murmuration of Starlings, and Persons Unknown as well as an additional work of literary history The Architecture of Address. Much of his work is available online as well, such as his poems "Vigil" and "Self-Portrait as Superman." Edit: The Kenyon Review has uploaded three recordings of York reading his poetry. These are highly recommended as well.
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Berlin Stories, Redux
"Home is the place where there is someone who does not wish you any pain." Stop what you're doing and go read this interview with Darryl Pinckney, author of Black Deutschland, over at The Rumpus. Here's a great Millions essay on Christopher Isherwood's Berlin Stories, which serves as a sort of (misguided) guide map for the protagonist of Black Deutschland.
Calling All Foer-Besotted 10-Year-Olds
Spotted on the streets of New York: a casting call for a "10-13 year old Caucasian male" to play protagonist Oskar Schell in Stephen Daldry's upcoming film adaptation of Jonathan Safran Foer's Extremely Loud & Incredibly Close. Notable Goyim Tom Hanks and Sandra Bullock are attached to the project, as Oskar's parents.
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Shoot First
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark's The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
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