A charming doodle of the beautiful connecting covers for mid Clarice Lispector’s four soon-to-be-released novels. You can also buy a poster of the original from New Directions. And given how much Carolyn Kellogg enjoyed them, mentally shelving the Brazilian author beside Kafka and Joyce, and of course based on the near infinite readability of The Hour of the Star, I’m wondering if this will be the year of Lispector.
“I lived alone for three years in Brooklyn, paying $1,700 a month ($61,200 all told) for a pretty but small one-bedroom within eyeshot of the Brooklyn–Queens Expressway. I also spent $400 a month on health insurance. At one point I thought I would find another full-time job after finishing the book, but then I must have convinced myself that teaching yoga part time would better enable my writing.” Emily Gould on poverty and the writing life.
BOMB Magazine is collaborating with Farrar, Straus & Giroux to commence their "Something Out of Something" design contest. Participating designers, writers, and artists are invited to "draw inspiration from the written work of Israeli short story writer and filmmaker Etgar Keret to create visual art of their own." Winners will receive $500, a personalized copy of Suddenly, a Knock on the Door, and their artwork's appearance in a Keret story or film. You can read the full details on the contest's Tumblr and Facebook pages.
It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.