A charming doodle of the beautiful connecting covers for mid Clarice Lispector’s four soon-to-be-released novels. You can also buy a poster of the original from New Directions. And given how much Carolyn Kellogg enjoyed them, mentally shelving the Brazilian author beside Kafka and Joyce, and of course based on the near infinite readability of The Hour of the Star, I’m wondering if this will be the year of Lispector.
Near to the wild heart
Making Mistakes
"These were my two first mistakes about honesty: I thought it meant relentless self-flagellation, and I thought it could redeem everything." Leslie Jamison and Anna Holmes discuss the mistakes they made as young writers.
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newspeak is actualy newtxt
John McWhorter, linguist and author of What Language is (And What it Isn't and What it Could Be), takes a look at the history of spoken and written language in an effort to understand how text messaging, IMs, and other informal forms of written language impact literacy.
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Following the Writer
Over at The Toast, see what Year in Reading Alumnus Alexander Chee has to say about The Queen of the Night, his writing process, and publishing. Our own Sonya Chung’s review of his latest novel pairs nicely.
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It’s the opposite of a happy ending fairy tale. It’s just hell.
Lauren Groff interviewed over at Full Stop about her novel Arcadia, which was a Millions Staff Pick in April.
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“Filthier”
Every year, like clockwork, a few brave administrators ban a classic book in time for the opprobrium of Banned Books Week. This year, the brave administrators in question work in Randolph County, NC, where Invisible Man by Ralph Ellison will no longer be on the curriculum. Why? Real quote: it’s a “hard read.” (Related: Kelsey McKinney on banning The Bluest Eye.)
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Texting with George Michael Bluth
If you received a text from an unknown number saying, "sup you comnig to this thing?", would you respond? Michael Cera imagines the ensuing conversation in his epistolary humor piece, "My Man Jeremy," for The New Yorker. Depending on how you feel about the actor, the piece is either endearingly awkward or annoying, but it's very Cera — complete with anxiety and references to how he always gets mixed up with fellow "Shouts & Murmurs" contributor Jesse Eisenberg.
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