James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
Wood on the Missing Bits of HHhH
State of Terror
Junot Diaz, whose novel The Brief and Wondrous Life of Oscar Wao won the Pulitzer Prize in 2008, has been deemed “un-patriotic” and “anti-Dominican” by the Dominican Republic’s consul in New York City. Diaz had been working in Washington with Haitian-born writer Edwidge Danticat in the hopes of urging the U.S. government to take action against the abhorrent treatment of Haitian immigrants in the Dominican Republic.
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Brad Listi Finally Gets Interviewed
The NY Daily News sat Other People Podcast‘s Brad Listi down for an interview, and thus answers the question of “who interviews the interviewers.”
Early Chaucer Manuscript Put Online for All to See
The “Hengwrt Chaucher,” one of the most significant early manuscripts of The Canterbury Tales, has been put online for the entire world to see thanks to the efforts of the National Library of Wales in Aberystwyth.
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Inside Litball
“Bertelsmann’s 7% decline in 2016 revenue was due entirely to a drop in sales at Penguin Random House. The lack of a big new bestseller hurt results at the company, and it divested some smaller divisions in the year.” For those interested in inside baseball, Publishers Weekly takes a look at how the world’s 50 largest publishers are faring. (TL;dr: Although their total revenue topped $50 billion, more than half of the list’s publishers reported sales declines – oh, and Harry Potter still really, really sells). As a counterpoint to all that capitalism, read our own Edan Lepucki‘s survey of self-published authors.
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Scream for ‘The Scream’
A recent study by the American Psychological Association finds “people are more likely to be moved and intrigued by abstract paintings if they have just experienced a good scare.”
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Whose Hasn’t?
Sergey Stefanovich’s “The Library” takes viewers through Duncan Fallowell’s library “which has spilled over into every available space and become an art installation in its own right.”