James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
Wood on the Missing Bits of HHhH
Woody Allen’s Favorite Books
The ever-irreverent Woody Allen weighs in on his all-time faves, among other things. A Catcher in the Rye unsurprisingly makes the list, as do more obscure picks like The World of SJ Perelman.
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Our True-Crime Obsession
In a conversation with Jonny Auping for Longreads, Rachel Monroe discusses our cultural obsession with violent crimes.
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Leesa Cross-Smith on the Moment a Story Begins
Leesa Cross-Smith discusses writing in different formats, her recent short story collection, and how she uncovers a story's beginning.
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Fences
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
Seeing Red
Wouldn’t it be nice if your brain just went ahead and created that pesky simile for you? For individuals suffering with synesthesia (a neurological disorder in which one sense is “cross-wired” with another, such as seeing the color red or hearing a sour taste) the brain does just that. Here’s a piece from Electric Literature that takes a look at synesthesia, substances, and seeing the world askew.
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