James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
Wood on the Missing Bits of HHhH
And in This Corner, Weighing in at 900 Pages…
The eagle-eyed Scott Esposito alerts us to a forthcoming 900-page collection of short stories by Stephen Dixon. One hopes Fantagraphics has beefed up its copy-editing department since its last fictional behemoth, Alexander Theroux‘s Laura Warholic.
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Saying Without Saying
Giles Harvey discusses the ways in which Anton Chekhov’s characters — as dramatized in his stories and a new stage production — “long to express their innermost desires … but instead they find themselves saying things like, ‘Why did I go out to lunch?’ “
Now on Kindle
Three days after Sheryl Gay Stolberg of the Times wrote about Katharine Weymouth taking over the Washington Post, Jeff Farhi reports that Amazon’s Jeff Bezos has agreed to purchase the newspaper. Will Bezos follow up his purchase of English™ with a brand-new WaPo style guide?
“Vague enough to be useful”
At Full-Stop, Nicholson Baker talks with David Burr Gerard about his new novel, Henry James and the envy he feels for Guardian journalist Glenn Greenwald. (Related: our own Bill Morris reviewed Baker’s House of Holes.)
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The Best New Underground Literary Magazines
From The Independent, the best of the new breed of underground literary magazines to fit into that “empty slot on the bookshelf between your pristine copies of McSweeney’s Quarterly Concern and Granta.”
Lauren Groff and the Artist’s Response to Climate Change
To combat feelings of hopelessness, Lauren Groff partnered with Greenpeace on a new campaign to get artists to respond creatively to climate change.
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