James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
Speaking to Parul Sehgal, recent Booker and National Book Award finalist Jhumpa Lahiri confesses that in order to write, she must begin from “a place where I feel—and need to feel—completely alone and anonymous.” The Lowland author elaborates that the act of writing is “such an intimate thing; I can’t do it in front of other people. It’s a rich dimension in one’s head – to access it, the noise has to be shut off. And there is a lot of noise in the world.”
The B.O.M.M. blog looked at our recent item Best American Short Stories: By the Numbers, in which we crunched some numbers behind the Best American Short Stories series, and created a nifty word map of the short story titles that appeared in the series from 1978 to 2008. “The most frequent word for a title (not including articles and such)? Life. It has appeared 9 times.” If anyone else decides to mine some interesting discoveries from the B.A.S.S. data, let us know.
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.
“Motherhood remains more of a choice for some than others, and yet our varying degrees of agency are rarely acknowledged by the mainstream narrative upheld by the vast majority of what has (disparagingly) been referred to as ‘mommy lit’.” An essay in Buzzfeed about pregnancy, queerness, and three upcoming memoirs about motherhood (and non-motherhood). Pair with: an essay about motherhood as muse.