In part because I loved Sam Anderson’s riff on Barthes in this weekend’s NYT Magazine so much, I was thrilled to see Maud Newton tweet this link this 2010 article on Barthes’s handwriting, featuring a slideshow of note cards Barthes used to compose his Mourning Diary.
More Barthes
Going Hog Wild with Philipp Meyer
Philipp Meyer is a New Yorker 20-under-40 writer, the author of recession fiction American Rust and the recently released The Son, and a feral hog hunter.
Where We Read
From German photographer Christoph Seelbach, 24 jaw-dropping photographs of incredible libraries.
newspeak is actualy newtxt
John McWhorter, linguist and author of What Language is (And What it Isn’t and What it Could Be), takes a look at the history of spoken and written language in an effort to understand how text messaging, IMs, and other informal forms of written language impact literacy.
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Tuesday New Release Day: Sayles, Mieville, Theroux, Habila, Drabble, Donoghue, Cronin
The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.
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Confessional Criticism
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
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Bohane Wins the IMPAC
Kevin Barry has won the lucrative €100,000 2013 International IMPAC Dublin Literary Award for his first novel City of Bohane, capably reviewed in these pages over a year ago by Bill Morris (whose drawing of Barry illustrates the piece). You can also relive this year’s massive longlist and quirky shortlist.