In part because I loved Sam Anderson’s riff on Barthes in this weekend’s NYT Magazine so much, I was thrilled to see Maud Newton tweet this link this 2010 article on Barthes’s handwriting, featuring a slideshow of note cards Barthes used to compose his Mourning Diary.
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: "The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice." Pair with his recent essay at The Millions on plot and the inciting incident.
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.