The New York Times is reporting that Maurice Sendak has died at 83. In part because I shared a name with its main character, Where the Wild Things Are was a beloved book of mine. Sendak’s last book Bumble-Ardy, full of chaotic drawings of mischievous pigs, is a favorite of 19-month-old son’s. May Sendak’s bountiful imagination and heart live on for many generations in his books.
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. "As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood," writes the Los Angeles Times. Pair with Jason Arthur's essay on novels about work.
The good folks at Dorothy labored over a tremendous “Book Map” depicting the settings of some 600 literary works based in London. The books, poems, and essays selected for the map run the gamut from T.S. Eliot’s “The Waste Land” to J.K. Rowling’s Harry Potter series.
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: "This notion of oneself as a kind of continuing career—something to work at, work on, 'make an effort' for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s 'relationships'—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school."