Charles Petersen traces the fascinating history of the New York Public Library to show the real cost of the planned renovations and the pitfalls of the inevitable digital libraries of the future. Mark Athitakis observes how archives flatten fictions with keywording.
Lost in the Archives
Identifying in the First Person
Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.
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Second Opinions
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
Vindicating Wollstonecraft
Mary Wollstonecraft had quite a few things to be angry about. McSweeney’s vindicates her anger. Pair with our own Anne K. Yoder’s piece on finding space to write in a relationship.
What your next-beach-umbrella neighbor is reading
Yes, but what’s everyone else reading this summer? Bookstores in beach towns know better than to stock “business, personal finance, or diet” books–though poetry does pretty well–but they are looking forward to these bestsellers. The print-disinclined can take heart that there are even a fair number of literary movies coming out soon. (Related: our own recommended summer reading list, also blessedly personal finance-free.)
Shakar’s Story Continues
The Observer picks up Luminarium author Alex Shakar’s narrative where his piece here at The Millions left off. (via @sarahw)
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The Book of Mormon, on Broadway
Trey Parker and Matt Stone, the creators of South Park and Team America World Police, are turning their wild imaginations to a new subject and a new genre: “The Book of Mormon,” a musical the duo co-wrote with Robert Lopez, will open on Broadway next year.
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