The text of Salman Rushdie’s PEN World Voices lecture on liberty and censorship has been published on the New Yorker‘s website.
Liberty is the air we breathe
Joshua James
If you like your music country/folk-ish with a difference, Joshua James new album Build Me This might be of interest. No Depression, the roots music blog, describes the album as a hybrid of "chain-gang chants, country-fuzz rave-ups, gospel rafter-raisers, southern blues grinds, and civil war camp songs." Try not to be taken aback by the Jared Leto-in-a-mud-mask cover art.
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Stuffing This Curiosity Full of Taxidermy
Anjuli Raza Kolb reviews Rachel Poliquin’s The Breathless Zoo, which “tracks the history of whole animal and animal specimen preservation, particularly taxidermy, which refers to the stretching and mounting of the skins of vertebrates, from the seventeenth-century European explorers to the present, with a heavy focus on Victorian practitioners and collectors.” No word on whether or not Poliquin remarks on this curious Danish Facebook group of terrible taxidermy. (Bonus: Caitlin Horrocks’s new story on FiveChapters, “The Lion of Gripsholm – Part Four: IV. The Taxidermist.”)
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Getting Turned On
December 26, 1962 marked the first time that Playboy Magazine ever used the phrase “turn-on.” Since then, humans have conceived of a remarkable variety of metaphor and colorful language in an attempt to try and make some sense of copulation. Over at Hazlitt, Chelsea G. Summers takes a close look at the increasingly electric language of sex. Unsurprisingly, sex is never far from the mind of a literary writer, either.
Shout Out
Recommended Reading: Aaron Burch's new poem "Far from the Hudson" at Big Lucks. You might want to put some Wu-Tang on when you read this.
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Internet Tendency, Redesigned
The charmingly lo-fi McSweeney's website gets a redesign and manages to stay charmingly lo-fi.
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Bookstore Boon
The shuttering of Borders locations across the country, an "unusually vibrant selection" of new releases, and "customers who seem undeterred by pricier titles" have contributed to "surprisingly strong sales for many bookstores" across the country.
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One Book, Two Covers
"What do these two books have in common?...Open each cover and you will only find similarities: They are the same book." For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.