The text of Salman Rushdie’s PEN World Voices lecture on liberty and censorship has been published on the New Yorker‘s website.
Liberty is the air we breathe
On Kenny’s Window
Maria Popova writes about Kenny’s Window, Maurice Sendak’s “debut as a storyteller.” Our own Emily Collette Wilkinson reflected on Sendak’s vision upon his passing.
What We Want
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On Goodreads, On Good Criticism
“Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way…” Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.
Galileo’s Taste; Galileo’s Work; Galileo’s Life
Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
Prison Prose
What inspired Wally Lamb’s latest novel, We Are Water? Part of it came from his experience teaching writing at a women’s prison in Connecticut for the past 14 years. He spoke to The Missouri Review about what it’s like to teach “the incarcerated wounded” and how they have influenced his work. “With my fiction, I’ve never been afraid to go to the dark places, but I think the women have made me more daring.”
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Tarantino on Writing
Say what you want about Quentin Tarantino; the man thinks like a writer. You can hear him doing so out loud on the current episode of KCRW’s The Treatment, with Elvis Mitchell.
Tuesday New Release Day: Solnit, Walls, Kwan, Sullivan, Silver, Lee, al-Shaykh
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.
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