Jack White is so impossibly cool that, when he asked Buzz Aldrin to be his interviewer in the latest issue of Interview magazine… the former astronaut obliged.
The work of Elvio Gandolfo, whose novel Cada vez más cerca (“Each Time Closer”) won Argentina’s equivalent of the Pulitzer in 2013, is rarely published in English. So it’s a special treat to find his magical story about a whale falling out of the sky, newly translated for the anthology A Thousand Forests in One Acorn, available free at Ninth Letter.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
Obama inclined readers looking for a swifter read than The Bridge should pick up the pithy new anthology of poems composed during President Obama’s first hundred days in office, Starting Today: 100 Poems for Obama’s First 100 Days.