“Bigger than the Zuckerberg Bump, bigger even than the Colbert Bump or the Oprah Bump—arguably the most historic bump in English publishing is the Sam Weller Bump.” A look at the surprising and overwhelming success of Dicken‘s first novel, The Pickwick Papers, from The Paris Review.
Out this week: A Strangeness in My Mind by Orhan Pamuk; The Mark and the Void by Paul Murray (whom our own Mark O’Connell interviewed today); Submission by Michel Houellebecq; Golden Age by Jane Smiley; The Hours Count by Jillian Cantor; Moon Up, Past Full by Eric Shonkwiler; and Lafayette in the Somewhat United States by Sarah Vowell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
New this week: The Boston Girl by Anita Diamant; Moriarty by Anthony Horowitz; a limited edition of The David Foster Wallace Reader; and The Poem She Didn’t Write and Other Poems by Olena Kalytiak Davis (which I wrote about last week). For more on these and other recent titles, go read our Great Second-half 2014 Book Preview.
Visual effects virtuoso Ray Harryhausen died this week at the age of 92. Harryhausen was first inspired to take up movie-making when he watched King Kong with his childhood friend Ray Bradbury, and his pioneering career spanned over forty years. Over at Vulture, you can check out a couple of his most well-known scenes. To my mind, though, his best work will always remain Galgo’s creepy, stretch-tastic wizard hand from The 7th Voyage of Sinbad.