Rebecca Davis O’Brien unearths a letter in which Malcolm Cowley tackles the timeless question, “Should I get an MFA?” Just as poignant as Cowley’s letter is novelist Helen DeWitt’s pointed dismissal of Cowley’s advice in the comments section.
“In matters like writing[…], a man does what he has to do—if he has to write, why then, he writes”
Homework Diary is Currently Full
“Dear Mrs D, Thanks for your homework. Your idea of writing a Christmas ghost story was a good one, but it’s not really the kind of thing I tend to do — it’s a little bit too genre for my tastes. Try Kevin, who sits next to me. He loves that stuff.” Over at McSweeney’s, Nick Hornby advises his son on excuses for failing to hand in his English homework, excuses which Hornby learned are acceptable during a thirty-year career in journalism, books, and film.
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Let’s Write About Sex, Baby!
Authors, are you struggling to get your book’s characters together? Are they lacking a little spark, a little intimacy? Well, have no fear. The folks at Open Road Media put together a video with Erica Jong, Lawrence Block, Patricia Gaffney, and a few more authors on The Art of Writing Sex Scenes. This should do the trick.
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Medvedev’s America
Kirill Medvedev’s “America: A Prophecy” has been published for Triple Canopy as part of the “Immaterial Literature” project. The suite, translated by n+1 editor Keith Gessen, is composed of pieces from the Russian poet’s forthcoming It’s No Good collection.
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Primary Colors for the Age of Obama
Anonymous strikes again: On January 25th, the entity that brought us 1996’s deliciously scandalous Primary Colors: A Novel of Politics, offers a roman à clef for the Obama age: O: A Presidential Novel. Then it was Joe Klein, but this Anon. is still Anon. Perhaps better than the insider gossip: The media-fueled whodunit the novel’s sure to inspire.
“manuals for a thinking person”
Jed Perl on Susan Sontag’s journals: “The fascination of Sontag’s prose—and its sadness—is in the extent to which she is describing herself as a person who can never really get beyond a schematic kind of thinking and feeling.”
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