The Paris Review presents a spread of paint chips “sourced from the colors in literature.”
We are now over a week into Amazon’s boycott of the indie press e-books distributed under the Independent Publishers Group. IPG is taking a stand against Amazon’s hardline negotiations during the retail giant’s annual contract review, and 5000 titles are no longer available through the Kindle store. Last week Jim Hanas, author of the digitally and independently published Why They Cried, spoke out against Amazon to champion other e-readers and e-book retailers. The renegotiations are taking place across the industry, though, as Melville House’s Dennis Johnson puts it, “major industry figures at the big houses in New York — facing similar cutthroat demands from Amazon for their own annual contracts — remain silent… This isn’t over yet.”
The MFA program at Florida Atlantic University launched Swamp Ape Review, a new national online literary journal. For their first print issue, which is set to publish next year, they’re accepting submissions from writers in South Florida, such as Martin, St. Lucie, Palm Beach, Broward, and Miami-Dade counties. For a nice primer on the journal’s namesake (or, rather, its alias), I direct your attentions to Bill Kearney.
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.
Audio for over 10,000 events – including concerts, poetry readings, and public interviews – is being made available on the 92nd Street Y’s new digital archive. Among the treasures in the trove are readings by Tennessee Williams, Vladimir Nabokov, and Susan Sontag. (Thanks Andrew.)