Jeff Chang, whose Can’t Stop Wont Stop I just can’t recommend enough for anyone interested in the history of hip hop, has a great piece in the LARB on rap music and the 1992 LA Riots. The LA Times also ran a compelling essay on Toddy Tee, N.W.A. and other prescient west coast MCs, the forefathers of what became commercial gangsta rap.
A true genius is someone who’s talented and accomplished enough to work in the publishing/literary crucible of New York City, but who’s also smart enough to know that working in New York City is nothing compared to working in Key West, Florida. That’s right: the Key West Literary Seminar is hiring.
Don’t Cry author Mary Gaitskill reviews Gillian Flynn’s wildly successful thriller, Gone Girl, for the pages of Bookforum. What she finds is that the book isn’t really frightening because of its plot per se, but rather because its two main characters “do not resemble actual people so much as grotesquely smiling masks driven by forces of extreme artifice, and it’s exactly that extreme artificial quality that’s frightening to the point of sickening.” For what it’s worth, Edan Lepucki, Michael Bourne, Ed Park, Janet Potter, and Jennifer duBois each named Flynn’s book in their most recent Year in Reading pieces.
Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story “The Sentinel” was the basis for Stanley Kubrick’s script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke’s explores his side of the story. You could also read Ted Gioia on a weirdly predictive ’60s sci-fi novel.
“I don’t try to deliver a message, teach, inform or ‘give back’ in my books. I simply want to tell a story. My writing is totally separated from my activism and social service, which are channeled through my Foundation.” Megan Bradshaw interviews Isabel Allende for Asymptote Journal.