Jeff Chang, whose Can’t Stop Wont Stop I just can’t recommend enough for anyone interested in the history of hip hop, has a great piece in the LARB on rap music and the 1992 LA Riots. The LA Times also ran a compelling essay on Toddy Tee, N.W.A. and other prescient west coast MCs, the forefathers of what became commercial gangsta rap.
I work nine to five and ain’t a damn thing changed
Harper Lee’s Sister Tells Some Stories
Harper Lee’s sister, Alice Finch Lee, gives some insights about the reclusive To Kill a Mockingbird author’s life. Apparently Lee’s as big a fan of the presidents as our own Janet Potter.
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Tuesday New Release Day: Cole; Russell; Coover; Grossman; Long; Thompson; Pirzad
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
Mantel’s Bring Up the Bodies Coming in May
Big news for fans of Hilary Mantel and her Booker-winning (and Millions Hall of Famer) Wolf Hall. The U.S. release date for the much anticipated Wolf Hall sequel Bring Up the Bodies has been moved up from the fall to May 22nd to coincide with the U.K. release date.
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Keeping it Fresh
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
I Doubt The Authors Would’ve Been Thrilled With This
Deep South Magazine‘s Hunter Murphy compiled a list of “The Greatest Bromances in Southern Literature.”
And on and on and on.
Carl Wilson, author of Let’s Talk About Love: A Journey to the end of Taste (a book length study of Celine Dion‘s megablockbusting album of the same name), revisits the enduring and sort of nauseating classic from Titanic‘s soundtrack in The Atlantic.
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