In an interview with the CBC, Anne Trubek makes the argument for the wide acceptance of poor spelling. Trubek also had an essay in Wired earlier this year on spelling and autocorrect.
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Tuesday New Release Day: Larsen; Hamid; Afrika; Stace; Lethem
Out this week: I Am Radar by Reif Larsen; Discontent and Its Civilizations by Mohsin Hamid; Bitter Eden by Tatamkhulu Afrika; Wonderkid by Wesley Stace; and Lucky Alan, a new story collection by Jonathan Lethem. For more on these and other new titles, check out our Great 2015 Book Preview.
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Different Times
Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.
Appearing Elsewhere
My “10 Best Songs Based on Books” list, from yesterday’s Observer (UK), is up on the Guardian’s website. Obviously it’s not so much the 10 Best as the 10 Best I could think of while writing the list, but that kind of equivocation makes for terribly unsnappy titles.
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Tana French’s Accidental Writing
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
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Against Neutrality
Over at World Literature Today, Diane Clarke writes against neutrality, capital letters, and easy translation. “I want a poetics of translation that is not just anti-assimilationist.” Pair with this Millions essay about translators at work.
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The Marriage Plot Problem
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
Chris Ware’s Radical Honesty
Hannah Means-Shannon shares a dispatch from the Rocky Mountain Conference on Comics and Graphic Novels in which Building Stories author (and Year in Reading alum) Chris Ware discusses his creative processes.
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