My Millions social media teammate Emily M. Keeler is probably too humble to write a Curiosity about her kickass interview with Sheila Heti. But not I, dear readers! Not I.
We’re surprised McSweeney’s didn’t think of this sooner: A handsome large-format volume called Art of McSweeney’s; Chris Ware and many more. There’s also a debut that’s been getting some notice, Mr. Peanut by Adam Ross. And finally, sometime Millions interviewee and interviewer Nic Brown has a new novel out: Doubles.
Today, stuff yourself on envy and/or nostalgia for the NYC literary life. First, whet your appetite on the New Yorker’s gorgeous illustrations of notable bookstores, including one “the size of a luxurious Park Avenue closet.” Continue to a responsible main course essay on Choire Sicha, The Awl, and the Brooklyn loft building where it was founded and resides: a place that is “pleasant” but “a little dumpy, too, because that’s sort of our MO.” For dessert, savor Erin Loeb’s personal essay on leaving New York, and finish with a fittingly varied cheese course of other writers also saying goodbye.
Michael Wolff’s palace intrigue book Fire and Fury: Inside the Trump Whitehouse has dominated the news cycle this week. After receiving a cease-and-desist letter, publisher Henry Holt and Co. responded by pushing the publication date up four days. Currently #1 on Amazon’s Bestseller list, many independent booksellers say they have sold all their copies as well.
WGN America has ordered a 13-episode drama about the Manhattan Project. The series, which is set for a summer 2014 premiere, will be written by Sam Shaw and directed by Thomas Schlamme. This marks the second series ordered by WGN America this year. The first one, Salem, will focus on the Massachusetts town’s infamous 17th century witch trials.
A somewhat startling headline: “Amelia Lester, 26 Year Old Former Fact Checker, is the New Managing Editor of The New Yorker.” Another interesting tidbit: The New Yorker has been exempt from meeting with the consultants who are currently scrutinizing the rest of Conde Nast’s titles.
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.