HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
“Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward.” Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.
“To me a book is not just a particular file. It’s connected with personhood. Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say. And what I’m concerned with is when Silicon Valley looks at books, they often think of them as really differently as just data points that you can mush together. They’re divorcing books from their role in personhood.” Digital pioneer and theorist Jaron Lanier fears that the Internet might be destroying not just literature, but also the middle class.
Samantha Chang, the director of Iowa’s Writing Workshop, weighed in on the Girls storyline in which Lena Dunham’s character gets accepted into the school’s MFA program. “It’s very possible that she could have gotten in,” Chang says of Hannah Horvath, Dunham’s character. Meanwhile, University of Iowa officials have apparently denied the HBO show’s request to film on-campus for its next season.
New this week are Ron Rash’s The Cove, Brian Evenson’s Immobility, and Volume Two of Susan Sontag’s Journals (all books highlighted in our January preview). Out in paperback this week is David Foster Wallace’s The Pale King, from which we recently ran a previously unpublished excerpt.