HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
HBO Turns Down The Corrections
A Front-Row Seat
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
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Slave Driver
Recommended Reading: Katherine Sunderland on Michael Bundock's The Fortunes of Francis Barber.
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Tuesday New Release Day: Zambra; Close; Hatton; Rathbone
Out this week: Multiple Choice by Alejandro Zambra; The Hopefuls by Jennifer Close; Monterey Bay by Lindsay Hatton; and Losing It by Emma Rathbone. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
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OWS lit down the line?
Christian Lorentzen wonders, in Book Forum, what the first OWS novels will be like. He anticipates them showing up next year, but I'm thinking we've already got at least two, though they were both published well before Occupy: Gary Shteyngart's Super Sad True Love Story ought to fit the bill, and, of course, there's that famous Melville story about Wall Street, but I'd prefer not to talk about it when I could just direct you to Hannah Gersen's piece instead.
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Make the Canadians Face Off Against Everybody Else, Too
“Nurturing eventually becomes coddling, and now it’s time to encourage that work to take a bigger stage,” writes Jared Bland in his plea for the Griffin Poetry Prize to combine its two categories – Canadian and English-language – into one, global whole.
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