Happy Mother’s Day to the maternal Millions readers (and staffers)! Surely none of you rank among the vilest women in fiction, or six of the worst fictional mothers, or even the fifteen most overbearing video game mothers. I’m sure you’re all wonderful.
Out this week: Thirty Girls by Susan Minot; The UnAmericans by Molly Antopol; The Bear by Claire Cameron; The News: A User’s Manual by Alain de Botton; The Quiet Streets of Winslow by Judy Troy; a new translation of August by Christa Wolf; The Parallel Apartments by Bill Cotter; and The Journey of a Caribbean Writer by Maryse Condé. For more on these and other new releases, check out our Great 2014 Book Preview.
In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
Admit it, at one point or another you had a certain idea of what a writer’s life looks like. What comes to mind when someone says “I’m a writer?” You may picture a struggling hipster artist who lives in a smal apartment with books everywhere and does nothing but read and write. Rosalie Knecht explores the fascinating idea that we associate certain specific images with the writer lifestyle based off an Anthropologie catalogue. Not convinced? Read it for yourself.
There was a time, believe it or not, when poets made appearances on widely-seen American talk shows. That time was the fifties and sixties, when Carl Sandburg appeared on The Today Show, The Ed Sullivan Show and Edward R. Murrow’s See It Now. (He also gave a speech before Congress and competed on What’s My Line?)