We recently ran a piece called “Where We Write,” in which our staff writers posted photographs of their work spaces. Apartment Therapy has taken it a step further and revealed where some famous and not-so-well-known writers slept. Turns out a bedroom, like a work space, speaks volumes about a writer. But one question remains: What the hell is Patti Smith doing on William S. Burroughs’s bed?
“There is a saying that has become a cliché: ‘Pictures speak louder than words.’ But sometimes, a picture can speak louder than words because it contains a profound silence. It’s what a picture does not say that can often make it loud. What is, after all, a wordless novel but a novel devoted to the message of silence?” On Frans Masereel‘s My Book of Hours, a wordless novel in woodcuts. For another, lighter perspective on the power of picture books, pair with Jacob Lambert‘s “Yet Again, I Ask: Are Picture Books Leading Our Children Astray?“
It’s not every day that you come across a defense of literary elitism, but The Guardian’s Nicholas Lezard is tired of explaining that not everyone is a critic. “What I want when I read a book review is to find out what someone cleverer than me and better read than me thinks about whatever’s being reviewed,” he writes.
“This test protocol was designed so X-ray operators could have a clearer view of carry-on baggage at checkpoints. Like many tests TSA performs at checkpoints around the country, we collected valuable data but, at this time, are no longer testing or instituting these procedures.” Inside Higher Ed reports that the U.S. Transportation Security Administration has abandoned a program that required passengers to remove books from their carry-on luggage during security screenings. And we have just the reading recommendations for flying for you, too.
If you thought Cameron Diaz’s windshield sex scene in The Counselor was weird, things just got weirder for Cormac McCarthy. His ex-wife was arrested for pulling a gun out of her vagina after a domestic dispute about aliens escalated. Pair with: Our essay on McCarthy’s foray into screenwriting.