“If this was our own son and daughter, would we stop loving them simply because they had dreams of making it big on the stage, or in a career that few people actually respect? No way.” Jerry Springer on making art.
Rita J. King investigates the ways storytelling is being influenced by Twitter. Indeed, she writes that “every five days, a billion tiny stories are generated by people around the world … [and] the tweets are being archived by the Library of Congress as part of the organization’s mission to tell the story of America.”
Just about every review of Virginia Zaharieva’s Nine Rabbits calls attention to its “narrative virtuosity” and the way it “packs several genres into one.” That might sound like empty praise until you check out this excerpt for yourself, and see that the book is not only a memoir, and a coming-of-age story, but it’s also a cookbook.
A spate of notable literary homes have dotted high-end real estate recently. Earlier, The Telegraph reported that Bran Castle, whose famed fictional occupants include Count Dracula from the eponymous novel by Bram Stoker, is seeking offers. Yesterday, Ray Bradbury's cheery 3-bedroom yellow house was listed at at $1.5 million. Sadly, the more-affordable $350,000 home of beloved children's book writer Beverly Clearly was snapped up last week. Writers hoping to add to the stock of literature-imprinted real estate, take note: Detroit nonprofit Write A House, which renovates vacant homes and awards them to writers and poets free of charge, is accepting applications until June 21.
The Guardian offers a long, worthwhile profile of Dave Eggers, who suddenly is being considered and reconsidered seemingly everywhere. "The McSweeney's empire... often gets characterised as a kind of cabal: a hip, young gang. [Eggers] and [wife Vendela] Vida, whose writerly circle includes Nick Hornby, Rick Moody, Jonathan Lethem and Joyce Carol Oates, tend to be seen as tastemakers. He thinks this is ridiculous." (Thanks Emre!)
Read our own Kaila Philo's essay on Toni Morrison's new book The Origin of Others and then pair it with Nell Irvin Painter's reflection on 'Toni Morrison’s Radical Vision of Otherness.' "Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color."