Skateboarder Patrik Wallner snuck some video footage of North Korea around the time of the 100th birthday celebrations for its deceased ruler Kim Il-Sung. His footage shines a vivid and personal light on what’s otherwise a very concealed and distant nation.
As Maxwell’s prepares for its last couple days of existence, New York Magazine brought together the place’s original founder, it’s current co-owner, and a huge number of musicians to provide an oral history of Hoboken’s best concert venue. You might recall my piece from last month on the institution’s demise.
Michael Chabon’s Telegraph Avenue (as seen in our Book Preview; and excerpted here) is due to hit shelves early September, and everybody seems pretty excited about it. How excited? Well, the book will come with an “enhanced e-book” replete with multimedia features, and the publishers have also decided to create a pop-up version of Brokeland Records, one of the novel’s main settings.
"There is a saying that has become a cliché: 'Pictures speak louder than words.' But sometimes, a picture can speak louder than words because it contains a profound silence. It’s what a picture does not say that can often make it loud. What is, after all, a wordless novel but a novel devoted to the message of silence?" On Frans Masereel's My Book of Hours, a wordless novel in woodcuts. For another, lighter perspective on the power of picture books, pair with Jacob Lambert's "Yet Again, I Ask: Are Picture Books Leading Our Children Astray?"
“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
"Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business...." Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)