In addition to the fact Amazon reviewers and experts agree “in aggregate about the quality of a book,” non-professional reviews on Amazon tend to be “more eclectic,” “more supportive of debut authors,” and less biased in favor of authors with whom they associate than media experts.
The Council of Literary Magazines and Presses is hosting their annual Spelling Bee Fundraiser on October 30th. New Yorker editor Ben Greenman will host the event, which will pit Jonathan Ames, Amor Towles and Laura Lamont’s Life in Pictures author Emma Straub against one another (and more) in a battle of lexicographic perspicacity. (Can you state the language of origin, please?) The event will be judged by none other than Jesse Sheidlower, editor of the inimitable Oxford English Dictionary.
New this week: The Tusk That Did the Damage by Tania James; B & Me: A True Story of Literary Arousal by J.C. Hallman; The Dream of My Return by Horacio Castellanos Moya; The Last Word by Hanif Kureishi; A Little Life by Hanya Yanagihara; and The Discreet Hero by Nobel laureate Mario Vargas Llosa. For more on these and other new titles, check out our Great 2015 Book Preview.
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
“An appeal for the revival of the negative book review, then, is a remonstration against forced and foppish praise, where everything is good and so nothing at all is good.” In The Baffler, Rafia Zakaria writes in praise of negative book reviews and decries the “enfeebling of literary criticism.” From our archives: our own Emily St. John Mandel writes about bad book reviews.
Gabriel García Márquez has died at the age of 87. The Colombian writer was a prominent novelist, screenwriter, and journalist. He was most famous for One Hundred Years of Solitude, Love in the Time of Cholera, and The Autumn of the Patriarch and won a Nobel Prize in 1982 for his work.