Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
“I’m always trying to get my friends to forward me emails they’ve sent to other people – to their mom, their boyfriend, their agent – the more mundane the better,” writes Miranda July in the treatment for her latest project, We Think Alone, which counts Kareem Abdul-Jabbar, Etgar Keret, and Kirsten Dunst among its participants. “How they comport themselves in email is so intimate, almost obscene — a glimpse of them from their own point of view.”
It’s a big week for literary new releases. Chris Adrian’s much anticipated new novel The Great Night is now out, as is Francine Prose’s My New American Life. Also new this week are Roddy Doyle’s latest collection of stories, Bullfighting, and the reissue of William Boyd’s impish prank of a book, Nat Tate: An American Artist. Finally, past Booker shortlister Linda Grant has a new novel out called We Had It So Good.
Why do we reread novels obsessively as children but hardly ever as adults? At The Morning News, Clay Risen discusses why rereading appeals to children so much. “It was a residual sense of wonder, left over long after I had accepted that the reality on the page and the reality beyond it are distinct.” Pair with: Our essay on the pleasures and perils of rereading.