Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
Could the internet save book reviews?
He-Who-Must-Not-Be-Elected
J.K. Rowling says Donald Trump is worse than Voldemort. The Harry Potter author has come out against the presidential hopeful, tweeting that “Voldemort was nowhere near as bad.” Yes, she even said his name.
Betsy Lerner’s “Big” Story
Editor Betsy Lerner (The Forest for the Trees) gives her take on what makes a story “big.”
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To the Edge of Sanity
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
Women Writing About War
Recommended Reading: Kayla Williams‘s overview of books about war written by women veterans. “Works have been published by women veterans from all four branches of service, officers and enlisted, active duty and reservists, and from multiple ethnic backgrounds. Their diverse voices can significantly deepen our understanding of both who volunteers to serve in today’s military and what they experience.”
Shared Terror
“On the level of narrative possibility, I was really drawn to the sense of aloneness that rose from so many of these images—the terrifying possibility of being the last person left on earth, or even the last person left in a neighborhood, a swamp, a freeway. That stark haunting irony of living in a world of excess that has eventually collapsed on itself, emptied out.” Guernica interviews Leslie Jamison and Ryan Spencer for their new collaboration, Such Mean Estate.
A Foreign Body within Oneself
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
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