Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
Could the internet save book reviews?
No Word on Receipts Yet
“Ms. Gitelman’s argument may seem like an odd lens on familiar history. But it’s representative of an emerging body of work that might be called ‘paperwork studies.’ True, there are not yet any dedicated journals or conferences. But in history, anthropology, literature and media studies departments and beyond, a group of loosely connected scholars are taking a fresh look at office memos, government documents and corporate records, not just for what they say but also for how they circulate and the sometimes unpredictable things they do.”
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#OccupyGaddis
Over at the LARB blog, Lee Konstantinou is heading up a summer reading group for William Gaddis’s J R. To participate, just tag your tweets or Tumblr posts #OccupyGaddis.
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The Portable Betty Draper
The literary lineage of Mad Men‘s Betty Draper extends to Edith Wharton and Margaret Mead, argues Laura Tanenbaum in a new issue of Open Letters Monthly.
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Breaking Point
One of the better reasons you should read this review of the new book Breakfast with Freud is this quote, in reference to a Lucian Freud painting: “Robert Hughes compared [Francis] Bacon’s face in it to ‘a hand grenade on the point of detonation.’”
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From the Archives
Recommended Listening: The Esquire podcast has a new episode featuring Jay McInerney on Raymond Carver’s “My Father’s Life,” which first appeared in the magazine in 1984.
Finding “the fountainhead of the humanities”
Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
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