When I was young, my mother always told me I should eat my carrots so my vision would improve. For twenty four years, I’ve obeyed. But now it seems I’ve been living a lie all this time. (Bonus carrot link: the most common type used to be purple, but orange was normalized to please the Dutch monarchy.)
Would you eat the marshmallow or would you resist temptation? That is the question. Our own Michael Bourne gets to the meat of why the mallow experiment fascinates us at The New York Times Magazine. “The tale of the marshmallows, as presented in Goleman’s book, read like some science-age Calvinist parable. Was I one of the elect, I wondered, a child blessed with the moral fortitude to resist temptation? Or was I doomed from age 4 to a life of impulse-driven gluttony?”
Hack author Dmitry Samarov is this week’s guest blogger at Writers No One Reads (which we’ve mentioned before). In his first post, Samarov takes a look at the work of Willard Motley, who grew up in Chicago’s Englewood neighborhood in the early 1900s, and is most well-known for his 1947 bestseller, Knock On Any Door.
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
With the frenzied holiday season underway, there aren’t many new releases to look at this week, but there are some newly reissued classics hitting shelves. NYRB Classics has put out Alien Hearts by Guy de Maupassant and Everything Flows by Vasily Grossman. Vintage, meanwhile, has smart looking new editions of a pair of Somerset Maugham books: The Narrow Corner and A Writer’s Notebook.