When I was young, my mother always told me I should eat my carrots so my vision would improve. For twenty four years, I’ve obeyed. But now it seems I’ve been living a lie all this time. (Bonus carrot link: the most common type used to be purple, but orange was normalized to please the Dutch monarchy.)
Indie press Two Dollar Radio announced today that they’re launching Two Dollar Radio Moving Pictures, a micro-budget film division. They’ll open with three new projects (announcement video here) funded by a newly-opened IndieGoGo campaign. Donors will not only be contributing to a worthwhile venture from one of America’s best small publishers, but they’ll also be in line to receive a heap of sweet perks from the likes of Grace Krilanovich, Karolina Waclawiak, Joshua Mohr, and Scott McClanahan. Bonus: publisher (and Millions contributor) Eric Obenauf spoke with Paul Martone for the Late Night Library podcast.
"Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill." The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked--and tied, moreover, to mental illness--based in part on a sample of students at Iowa Writer's Workshop. Pair with another essay on creativity and the "touch of madness" from our own archives.
Out this week: The Novel: An Alternative History by Steven Moore; Claire of the Sea Light by Edwidge Danticat; F, a new book of poems by Franz Wright; and The Affairs of Others by Amy Grace Loyd, which Katie Rogin reviewed for us last week. For more on these and other interesting titles, go read our Great Second-Half 2013 Book Preview.
The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.