Eric Brightwell has written a great primer on “the independent years” of Cash Money Records (ca. 1991-1998). Now that the outfit has its own publishing arm, Cash Money Content, I suggest you brush up.
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.
Thomas Pynchon’s new novel, Bleeding Edge, which we covered in several Curiosities, is out this week. Also out: Traveling Sprinkler by Nicholson Baker; Pickett’s Charge by Charles McNair; and a new translation of Boccaccio’s Decameron by UT-Austin professor Wayne Rebhorn. (For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.)
If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
You may have heard that X-Files star David Duchovny published a novel last week. The book, which developed out of an idea Duchovny had in college, centers on a teenage cow named Elsie who befriends a Yiddish-speaking pig. At Salon, Anna Silman interviews the actor/author, who talks about his book's allegorical nature and his rumored beef with Vancouver.
"Nobody there but dirty old men who spit tobacco juice and try to look up your skirt." The city square is one of the biggest architectural differences between the United States and Europe. Over at The Daily Beast, George Packer takes a look at plazas/piazzas and makes a case for why America needs more.