Amazon has announced that all seven Harry Potter books will be available via its Kindle Lending Library starting on June 19th.
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
My mom pointed out this article in the Washington Post about a bookstore in Baltimore that primarily gives away books rather than selling them. It’s called the Book Thing:”That’s the whole thing with the Book Thing,” Wattenberg says. “All I am is a middleman. The people have books…. They give them to me, they’re happy to have a place to see them go somewhere, and the people that get the books are happy to get the books.”Also, file under conspicuous consumption: Anyone looking for an extravagant gift for the film buff in their life should look no further.Spotted on the el: The Travels of Marco Polo… sure the red line doesn’t go all the way to China, but we can dream.
When Arthur Conan Doyle wasn’t writing Sherlock Holmes, he was a practicing doctor. Thomas Goetz’s new book The Remedy discusses the history of tuberculosis and Doyle’s role in finding a cure with Robert Koch. The Daily Beast interviewed Goetz about how he came up with the idea for the book. “These two characters were part of a much larger story about how scientific discoveries evolve into social change.”
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
In the New York Times, Mokoto Rich highlights the superfluousness of book covers in the digital age and the marketing challenges that result. cf. “Ether Between the Covers: Gifting Books in a Digital Age.”