From Jared Fanning, a charming graphic of the world’s 10 most read books.
Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
Discovery of the Week: Fairy tales are older than previously thought. Researchers have traced stories back to prehistoric and bronze age times. For example, Beauty and the Beast and Rumplestiltskin “can be securely traced back to the emergence of the major western Indo-European subfamilies as distinct lineages between 2,500 and 6,000 years ago.” Kirsty Logan writes about the problem with fairy tales.
In a piece reminiscent of Talk of the Nation’s “You Can’t Possibly Read It All, So Stop Trying” episode, A D Jameson tracks every film he’s watched over a fifteen year span, and then discusses the data for HTMLGiant. Choice line (which could easily apply to literature, too): “The more you watch from the present day, the more garbage you’re bound to see—but your conclusions will be your own. Conversely, the further back you go, the more you’ll be guided by the opinions of others. (If nothing else, what’s available will be largely determined by what’s remained popular.)”
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
“Officials in charge of an Australian writers festival were so upset with the address by their keynote speaker, the American novelist Lionel Shriver, that they censored her on the festival website and publicly disavowed her remarks.” Dang. (We agree, it was pretty bad – she wore a sombrero for most of her speech.) Writers’ conferences: They’re intense.