“If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.” Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.
“People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s.” Novelist Douglas Coupland (who popularized the term “Generation X”) previews his lecture “A radical pessimist’s guide to the next ten years” in the Globe and Mail.
NPR offers a nifty gallery that accompanies the publication of this quirky collection: Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure.The Coen Brothers have signed on to helm the film version of Michael Chabon’s The Yiddish Policemen’s Union. The big-screen version of The Amazing Adventures of Kavalier and Clay, meanwhile, is nowhere to be found (though it’s reportedly been in the works for years).Elsewhere in book-to-movie news, Ian McEwen is pleased with the film version of his novel Atonement.Poet and critic Reginald Shepherd reflects on becoming a blogger. “Until a couple of years ago, I barely knew what a blog was, and certainly had never seen one,” he writes. But it proved quite fruitful: “it sometimes seems that my blog has done more to raise my profile than all my more-than-fifteen years of copious publishing put together.”Five reasons not to give up books (the paper ones, as opposed the digital counterparts.)I think it’s an ad for a video game, but this video contains some masterful soccer kung fu.None of us at The Millions is affiliated with Princeton, but this list of the school’s most influential alums is interesting in a random sort of way.The new half-hour HBO show In Treatment is a free podcast at the iTunes store. The show stars Gabriel Byrne as a psychotherapist and each episode represents a single session with one of five patients.The writers’ strike is over. The resulting carnage on the schedules for all your favorite shows is laid out here.
“To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do … Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted.” On the unexpectedly complex nature of Beverly Cleary’s boring protagonists with Ruth Graham at Slate.
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”