The New Yorker’s book blog continues to host “Questioningly,” a so-called Twitter game show. The most recent installment featured the imagined Facebook status updates of literary figures, and was hosted by Ben Greenman. Who, might I add, is on a roll these days over at McSweeney’s Internet Tendency too.
Year in Reading alum Chang-Rae Lee has a new book out this week, and its cover is making headlines. Readers who buy the limited edition of On Such A Full Sea will get the first 3D printed book cover in publishing history. According to the printers, each cover took fifteen hours to make.
“Too often, being on the left tasks you with a vigilant daily quest to avoid being tagged with snobbery. In sociological living, we place value on those works or groups that seem most likely to force a reevaluation of an exclusive or oppressive order, or an order felt to be oppressive simply because exclusive. And yet despite this perpetual reevaluation of all values, the underlying social order seems unchanged; the sense of it all being a game not only persists, but hardens.” From n + 1, the latest “Intellectual Situation”: “Too Much Sociology.”
Yesterday, I wrote that I “[had] yet to read a comprehensive debunking” of B.R. Myers. For those still interested, I’ve been directed to some candidates: Meghan O’Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore‘s The Novel: An Alternative History.
“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
Don’t miss Jon Cotner‘s “Poem Forest” at the NY Botanical Gardens Nov 4-5 and Nov 11-12, 12-4:30. It’s a self-guided tour that promises “a new kind of poetry experience, as well as a new kind of walking experience. Poet-walker Jon Cotner has fused lines selected from 2500 years of nature poetry with Thain Forest’s autumnal landscape.” Details at the Poetry Society of America.