Over the past week, the work of three Millions staffers has been shown off for other publications: Mark O’Connell talks Lethem, Dyer and Batuman for Slate; Emily St. John Mandel talks noir for Beyond the Margins; and Garth Risk Hallberg names his selection for this year’s Pulitzer-less Pulitzer Prize for Fiction.
Appearing Elsewhere
My Many Selves
Recommended Reading: This incredible profile of Maggie Nelson by Hilton Als for The New Yorker. Nelson's The Red Parts saw a paperback reissue earlier this month.
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Convicts and Classics
Apparently, great books can be life changing: British prisons have begun using a literature course originally developed in the US and including Shakespeare, Dickens, and Steinbeck to help rehabilitate criminals.
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Special Feature: Kathryn Stripling Byer
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
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Notes From the Underground
Alexis Mainland documents New Yorkers from all walks of life reading on the subways -- the last outpost of low-tech, off-the-grid in-between time. (The NY Times)
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No Bill the Butcher?
If Martin Scorsese develops a TV series based on Gangs of New York but it doesn’t feature Daniel Day-Lewis or Leonardo DiCaprio, will anybody watch it?
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“And this dancing took many deaths.”
“We envision a library full of blood,” reads the “About” section of the Black Cake Records website. “We want the very best blood, & we want it everywhere.” Intrigued? You should be. The project, begun in 2013, serves as “a forum for producing & disseminating audio archives of contemporary poets reading their work.” For an introduction, you can start with “Trench Mouth” by Danniel Schoonebeek, whose debut collection, American Barricade, was published last month by YesYes Books.
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Two Moons, Two Reviews
In the Los Angeles Review of Books, Charles Yu describes reading Haruki Murakami's 1Q84 as not so much reading it, but rather "liv[ing] with it for a while." I bet our own Kevin Hartnett would agree.
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