Over the past week, the work of three Millions staffers has been shown off for other publications: Mark O’Connell talks Lethem, Dyer and Batuman for Slate; Emily St. John Mandel talks noir for Beyond the Margins; and Garth Risk Hallberg names his selection for this year’s Pulitzer-less Pulitzer Prize for Fiction.
New this week: God Help the Child by Toni Morrison; The Blondes by Emily Schultz; The Miracle Girl by Andrew Roe; Positive by David Wellington; This Is How It Really Sounds by Stuart Archer Cohen; When the Night Comes by Favel Parrett; Seven Devils by M.G. Miller; and Paris Red by Maureen Gibbon. For more on these and other new titles, check out our Great 2015 Book Preview.
Last week, I followed up the news that “because” may now be used as a preposition by noting that the American Dialect Society had named it their Word of the Year. Now, in The New Republic, John McWhorter argues that the new preposition is used to signal empathy and warmth. (Related: Fiona Maazel on the dangers of bad grammar.)
Paul Thomas Anderson’s movie adaptation of Thomas Pynchon’s Inherent Vice is going to have one heck of a star-studded cast. Among the names attached to the production thus far are Joaquin Phoenix, Reese Witherspoon, Benicio Del Toro, Martin Short and Sean Penn. The film is tentatively scheduled for a 2014 release. (Bonus: Take a sneak peek at Pynchon’s forthcoming novel, Bleeding Edge.)
Baz Luhrmann’s much-delayed Great Gatsby film adaptation may justify its long post-production schedule after all. In an announcement this past week, it was made clear that Jay-Z is “composing the upcoming film’s original score.” The film’s latest trailer can be found here.