Even if you read and watch all of these pieces about Robert A. Caro, it’ll still amount to only a fraction of the time necessary to read one of his books. So here goes: a typical Sunday for Mr. Caro; not one but two fake Caro Twitter accounts (plus a real one); Mr. Caro stops by The Daily Show; and The Passage of Power gets reviewed by us, NPR, The New York Times, The New York Review of Books, and The Wall Street Journal.
"To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week." The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions' interview with the acclaimed novelist.
The CIA was known for unorthodox espionage techniques during the Cold War, but using Doctor Zhivago to undermine the U.S.S.R. is one of the strangest. The CIA helped print and distribute the banned book because it would make Soviets wonder "what is wrong with their government, when a fine literary work by the man acknowledged to be the greatest living Russian writer is not even available in his own country in his own language for his own people to read."
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
Caitlin Flanagan's long Atlantic piece on Joan Didion has sparked a lot of conversation. Among the article's contentious lines: "to really love Joan Didion ... you have to be female."