Even if you read and watch all of these pieces about Robert A. Caro, it’ll still amount to only a fraction of the time necessary to read one of his books. So here goes: a typical Sunday for Mr. Caro; not one but two fake Caro Twitter accounts (plus a real one); Mr. Caro stops by The Daily Show; and The Passage of Power gets reviewed by us, NPR, The New York Times, The New York Review of Books, and The Wall Street Journal.
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. “John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist.” The eighth installment, The Counterfeit Agent, just came out.
Recommended Reading: Ottessa Moshfegh on eating mayonnaise for the first time.
The Washington Post discusses the literary pedigree of the town where I was born, went to college, and got married.A good review of Jonathan Lethem’s new collection of essays, The Disappointment Artist in the New York Observer.Got a nice note from Ulrich Baer, editor and translator of a new book put out by the Modern Library called The Poet’s Guide to Life: The Wisdom of Rilke. Sound interesting. Have a look.Why we blog.
In a piece reminiscent of Talk of the Nation’s “You Can’t Possibly Read It All, So Stop Trying” episode, A D Jameson tracks every film he’s watched over a fifteen year span, and then discusses the data for HTMLGiant. Choice line (which could easily apply to literature, too): “The more you watch from the present day, the more garbage you’re bound to see—but your conclusions will be your own. Conversely, the further back you go, the more you’ll be guided by the opinions of others. (If nothing else, what’s available will be largely determined by what’s remained popular.)”