Henry Eliot, playing the Host, led an expedition of 24 pilgrims on a modern-day, multimedia reenactment of Geoffrey Chaucer’s The Canterbury Tales. You can check out their recap complete with pictures, audio, and video over at The Guardian.
“And gladly wolde he lerne, and gladly tweet.”
Rhyme Time
Now this is a headline for the ages: “‘Self-Harmers are Not Just Depressives’: Writing a Book About Cutters Who Cook.” (Incidentally, the book in question is Jessica Soffer’s Tomorrow There Will Be Apricots, which we covered last week.)
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The Lives of Movie Characters
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
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“I did most of my reading at the International House of Pancakes.”
David Sedaris chats with The New York Times about his reading habits in the first installment of their latest series, “By the Book.”
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Lit Mags, Ahoy!
Three cheers for literary magazines, eh? Do yourself a favor and check out Tin House’s new Portland/Brooklyn issue (with mixtape to match!), DIAGRAM 12.4, Hobart’s revamped website (with daily content!), and the brand new Revolver magazine out in the Twin Cities.
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Jericho Brown and Carmen Maria Machado on the Meaning of Pride
Jericho Brown and Carmen Maria Machado examine their personal relationships to Pride, 50 years after the first Pride March.
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