Henry Eliot, playing the Host, led an expedition of 24 pilgrims on a modern-day, multimedia reenactment of Geoffrey Chaucer’s The Canterbury Tales. You can check out their recap complete with pictures, audio, and video over at The Guardian.
“denial. A defense mechanism predicated on your inability to accept the painful reality that you are supposed to be reading the selected novel that you literally tried to bury.” At The Toast, Zane Shetler writes a glossary of book club defense mechanisms. Pair with: Our essay on spying on your book club friends.
Out this week: Flâneuse by Lauren Elkin; Abandon Me by Melissa Febos; Lower Ed by Tressie McMillan Cottom; Parable of the Sower by Octavia Butler; No Other World by Rahul Mehta; Harmless Like You by Rowan Hisayo Buchanan; and To Be a Machine by our own Mark O’Connell (who we interviewed recently). For more on these and other new titles, go read our most recent book preview.
Patrick Reardon looks at 1001 Books You Must Read Before You Die for the Chicago Tribune, and decides he wants to add his own favorites. Check out his eclectic list at the end of the piece. (thanks Steve)Maud mentioned off-hand that she abandons 95% of the books she starts before page 50. Sandra posted that this was “quite a failure rate,” and Maud responds in the comments that in this case she was “pining for a very specific kind of manic reading experience that happens for me maybe ten times a year now rather than every few days, as it did when I was a child.”Dogbert writes a book: “It’s part fake autobiography and part plagiarism” (via H2O)Pinky is about to start an MFA program at Pitt. The reading list looks excellent.Harper Lee will have an item in O of all places. According to the AP story, “a letter for Oprah Winfrey’s magazine on how she became a reader as a child in a rural, Depression-era Alabama town.” It’s for the July “special summer reading issue.”
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.