Henry Eliot, playing the Host, led an expedition of 24 pilgrims on a modern-day, multimedia reenactment of Geoffrey Chaucer’s The Canterbury Tales. You can check out their recap complete with pictures, audio, and video over at The Guardian.
Now this is a headline for the ages: “‘Self-Harmers are Not Just Depressives’: Writing a Book About Cutters Who Cook.” (Incidentally, the book in question is Jessica Soffer’s Tomorrow There Will Be Apricots, which we covered last week.)
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.