This Sunday, come out to the KGB Bar and meet The Millions! A pile of staffers including C. Max Magee, Garth Risk Hallberg, Emily St. John Mandel, Sonya Chung, and yours truly will be there, and a good number of them will be reading their work. The event even ends by nine, so you can rush home to see Mad Men.
This week brought news that NOX, Antigonick, and Red Doc> author Anne Carson is headed to Annandale-on-Hudson to become Bard College’s “Visiting Distinguished Writer in Residence.” Carson’s praise has been sung far and wide on The Millions, and even earned admiration from a pair of Janes: both Alison and Hirshfield.
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.
Between the 40 Towns project organized by Jeff Sharlet’s Dartmouth students and the newly unveiled Vanishing Point project from Duncan Murrell’s students at Duke’s Center for Documentary Studies, it seems abundantly clear that college students are better at putting together web publications than 99% of established publishing outfits. Begin your tour with Christine Delp’s look at a blind man who makes his own martinis, and then check out other stories such as Ge Jin’s photographic essay on Chinese university students.