Max Linsky interviewed Riddle of the Labyrinth author Margalit Fox about the other career she’s had for eight years: obituary writing. Fox remarks on how obituaries have grown from being “the bastard stepchild of American journalism” into “the best gig” in the entire industry. Here’s one of my favorite Fox obituaries, by the way.
With news of this year’s winner fresh off the press, it’s easy to see how the Literary Review’s “Bad Sex Awards” are an annual delight to many readers (as well as an annual horror to several authors). But are they also counter-productive? As one former “winner” of the award asks, is the Bad Sex Award “anything more than a sort of moral outrage dressed up as a quest for high standards in writing?”
“The Disney character I most strongly identify with is the Beast before he learns how not to emotionally attack everyone around him, so.” Over at The Toast, Mallory Ortberg tells us why she is the perfect candidate for the job of Fisher King. T.S. Eliot would be proud. Or likely horrified.
Chris Rose laments the erosion of his former employer, New Orleans’s Times-Picayune, in the pages of Oxford American’s New South Journalism issue. Meanwhile, James Pogue discusses the art of fact-checking, which he says “has recently become a voguish topic among the New Yorker-reading and NPR-listening set.” This is of course to say nothing of the London Review of Books-reading set across the pond as well, much less the Onion-reading set located far and wide.