In The Nation, Mark Oppenheimer reviews Janet Malcolm’s Forty-one False Starts, which includes the New Yorker staff writer’s early works of criticism. The problem, he writes, with her and most Western critics? “She is a snob, but wishes she weren’t.” (ICYMI: we published a review a few weeks ago.)
Recommended Reading: This interview from Full Stop with Lisa Hanawalt, producer and production designer of the Netflix series BoJack Horseman: “We aren’t supposed to openly discuss shitting in polite society, so making artwork that frankly portrays it is titillating. I think it’s called ‘desublimation’ in fancy art-school terms, but it’s going back to a childish, playing around in our own muck state, and that’s why it’s as fun and appealing as it is repulsive.”
One night in 1937, Avies Platt decided to attend a meeting of the Sex Education Society, held at London’s Grafton Galleries. When the meeting was over, she ended up driving none other than W.B. Yeats to the afterparty. In the LRB, she recalls her encounter with greatness.
“I do not have experiences in order to write about them. I live in order to live,” Rachel Kushner told New York Magazine. Boris Kachka profiles 2013’s most critically acclaimed author and 2013 Year in Reading participant about what it was like to grow up with hippie parents, riding motorcycles, and her affinity for the art world.