Out this week: Some Luck by Jane Smiley; Reunion by Hannah Pittard; The Boy Who Drew Monsters by Keith Donohue; Man V. Nature by Diane Cook; The Hilltop by Assaf Gavron; The Hundred Days by Joseph Roth; The Figures of Beauty by David MacFarlane; There Must Be Some Mistake by Frederick Barthelme; Citizen by Claudia Rankine; and Lila by Marilynne Robinson. For more on these and other new titles, go read our Great Second-half 2014 Book Preview.
“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
Adam Mansbach’s Go The F**k to Sleep took the children’s book market — or at least the number of adults talking about the children’s book market — to a whole new level last summer. Then, weeks later, Samuel L. Jackson read parts of the story for its book trailer, and people freaked out all over again. Well, prepare yourselves yet again, folks. Now somebody’s remixed that recording into the most badass (NSFW) lullaby of all time.
“Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all.” Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario‘s piece about the naming of North West.