Brian Nitz wants environmentalists and writers to seriously consider whether the word “sustainable” is, well, sustainable. (Related: this XKCD comic)
“I’ve been writing about ‘real’ characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
“We find ourselves in a swarm of fellow starstruck souls outside the Sheraton Hotel on Seventh Avenue in Manhattan, churning, squirming.” 25 years after the publication of Bonfire of the Vanities, Tom Wolfe returns to the subject of Wall Street. You can also check out my review of his most recent novel, Back to Blood, over here.
Recommended Reading: The New Republic on public participation and the Internet. “Did you know that as originally conceived the web was supposed to be writable? That is, you wouldn’t just read a web page, but you’d be able to edit it, too, from right inside your browser.” Our own Elizabeth Minkel writes about fanfiction and its influence on academics.
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”