Neil deGrasse Tyson just continues to fix the world, one piece of astronomical minutiae at a time. Theatergoers sitting through screenings of Titanic 3-D will no longer see an incorrect star field thanks to a “snarky” email sent by Dr. Tyson to director James Cameron.
"Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden ... But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact." On the enduring joys and exuberant voice of Richard Fariña's Been Down So Long It Looks Like Up To Me.
I know, I know - another piece about "the canon." This one, however, is sure to elicit a response one way or another. A sampling: "There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …"
J.K. Rowling loves Robert F. Kennedy. She revealed on her website that she chose the pseudonym Robert Galbraith after Kennedy and her childhood alias, Ella Galbraith. "I can only hope all the real Robert Galbraiths out there will be as forgiving as the real Harry Potters have been. I must say, I don’t think their plight is quite as embarrassing," she wrote.
Among Haruki Murakami’s many significant literary achievements is the fact that the author has – since the 1990s – become “responsible for triggering and fueling the Japanese literature boom in South Korea.” Indeed, by “creat[ing] bonds of shared emotions and literary sensibilities among tens of millions of people with different cultural and historical backgrounds,” writes Yoon Sang-In, “Murakami’s literary works have emerged as a great cultural asset that contributes to stability in [the East Asian] region.” (Bonus: Murakami’s latest book – which will be published in the States in 2014 – is flying off the shelves in Japan.)