If you’ve ever thought you’d like to write a book on a beloved album for the 33 1/3 series you might find RJ Wheaton’s reflections on the pitch process of definite interest. For the record, he wrote the one on Portishead’s Dummy.
Even though the advice to "kill your darlings" implies editing your writing is a painful process, some writers relish it. At The New York Times, Pamela Erens discusses the pleasures of trimming down her writing. "For every word I cut, I seem to have more space between my ribs, more lung capacity." For more Erens, read her essay on accepting her book cover.
After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you'll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine's online editor, Ted Hodgkinson.
“A novel is a trek home from the desert, sometimes a journey you wish you had never started. Exhausting and humbling, just occasionally wonderful. But a short story can come from a deeper part of the cave.” Jane Gardam on why she prefers writing short stories instead of novels in The Guardian. Pair with Lisa Peet’s essay on Gardam’s organically grown characters.
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.