The LA Times‘ Festival of Books is happening this weekend, and attendees have not one, not two, but three chances to see Millions staffers Patrick Brown and Edan Lepucki. On Saturday, Patrick will be hanging out on the Nuts and Bolts publishing panel, and on Sunday, he’ll be moderating one entitled Art of Immersion. Also on Sunday, Edan will moderate the Visionary Eyes fiction panel with Aimee Bender, Mark Leyner, Ben Ehrenreich, and Elizabeth Crane.
The Festival of Books is Upon Us!
Great Expectations
John Keene, Ken Chen, and seven other writers share their most anticipated books coming out this spring. Also check out The Millions great book preview.
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For Tom Waits, Drink Everything
Do you like listening to music, but often struggle with an appropriate drink order? Enter Drinkify, a website which suggests cocktails based on the tunes you’re playing. (I tested it out with The Wu-Tang Clan. It told me to drink “1 bottle of gin.” Do with this information what you must.)
Strolling Story
Recommended Reading: Lydia Davis’s new short story, “Old Men Around Town,” in the New Statesman. “He stops to tell us that he must be up early in the morning – to get down to the factory. The factory is gone, his men are gone, but he still seems to be in charge of something.” For more Davis, check out her new collection.
The Collector of Baskervilles
If there’s anyone more obsessive than Sherlock Holmes, it’s Glen Miranker. The former Apple executive owns the largest private collection of Sherlock Holmes works, totaling 4,500 items including books, manuscripts, illustrations, and other oddities. How he amassed such a collection isn’t a mystery — he’s been at it since the 1970s.
Slanting Light and Seedy Motels
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
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The Dangers of Overwriting
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
The Mythical Susan Sontag
Benjamin Moser's new book, Sontag: Her Life and Work, shows the ways Susan Sontag fled into her own mind to escape an awful reality.
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