Scott Plagenhoef tracks electronica’s Phoenix-like trajectory from its overhyped beginning in the 90’s through its contemporary influence on folks like Skrillex.
According to the title of Matt Steinglass‘ new essay (a qualified rebuttal of Katie Roiphe‘s recent piece “The Naked and the Conflicted“), “Today’s Male Novelists Do Write Exuberant Sex Scenes, But Mostly Lesbian Ones“
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess.” (You could also read a review in The Nation I wrote about a few weeks ago.)
Recommended Reading: Tyler Stoddard Smith’s satirical essay on the new literary movement “The Real Newism” at Hobart. “Did Virgil go to hell? No. Did Virginia Woolf go to Disney World? No, and it turns out that Orlando isn’t a place, but a dude. And did Truman Capote ever have breakfast at Tiffany’s? Yes, but the eggs Benedict was cold and the bloody marys were ‘bullshit.'”
Submissions are open for the Oxford American‘s Jeff Baskin Writers Fellowship, which awards a $10,000 living stipend, housing, and an editorial apprenticeship toward a nine-month residency with the magazine. The goal is to support the writing of a debut work of creative nonfiction, and the application deadline is midnight EST, March 30, 2017.