Roberto Bolaño’s posthumous releases may rival Tupac’s in quantity. Indeed, the author “sustains an interest in Latin American literature all by himself,” writes Robert Birnbaum. But what if you want to broaden your survey of Latin and South American literature? Well, luckily, Birnbaum’s got some recommendations for you.
Even if you've already seen the outstanding documentary Wordplay, you'll still want to check out this Atlantic article on how Will Shortz makes his New York Times crossword puzzles.
"Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses 'breathed.' Her response was much like Melville’s, if typically elliptical: 'Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'" The age-old problem: how writers deal with publicity.
“'When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,' Mr. George said. 'It may simply come down to wisdom. Like the greats, Edith has it.'" Steve Almond gives an overview of Edith Pearlman's writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
The New York Times gives Pulitzer Prize-winning historian Taylor Branch a well-deserved profile. I've mentioned before that his take down of the NCAA's corruption is astounding, but now's a good time to mention that his e-book, The Cartel: Inside the Rise and Imminent Fall of the NCAA, is even better. Branch also appeared on Wednesday night's "Colbert Report" to discuss the book.