Why does the mythological connection between suffering and creativity persist? Writers and other artists, AL Kennedy contends, should spend less time intent on suffering and more time intent on making things. See also our own Sonya Chung, on the new writerly happiness.
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
The Faster Times offers up a new dialogue from dynamic duo Jon Cotner & Andy Fitch’s “Conversations over Stolen Food,” which seamlessly segues from Astroglide and Fung Wah buses to Alaskan Brown Bears, and includes a run-in with New York Park Patrol. Images by Paper Monument editor Dushko Petrovich are added eye candy.
“Being a judge for the Man Booker prize has at times felt like being part of a team of archaeologists excavating some vast buried city. Once the dust has settled – after nine months of reading – you stand back to survey your labours and realise all that’s left is a small pile of gleaming fragments. I hadn’t expected the process to be quite so emotionally exhausting. Nor had I thought it would be quite so exhilarating.” In case you’re curious, a Man Booker Prize arbiter offers up his reflections on the judging process. See also: the shortlist itself, which has surprised many readers!