Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren’t immune. At The New Yorker, our own Mark O’Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter’s first tweets.
The hysterical website Old Jews Telling Jokes has been revived from its year-long hibernation, and two of its newest gems are worth viewing: “A Stutter” and “Three German Shepherds.” Meanwhile, the show’s Off-Broadway adaptation is scheduled to open May 20th, and its producer has a great write-up about how the show’s evolved.
Andrew O’Hagan, whose books have gotten some Booker Prize notice over the years, has a new one out (it’s been out in the UK for a while now) called The Life and Opinions of Maf the Dog, and of His Friend Marilyn Monroe, which, as the title perhaps suggests, is told in the voice of Monroe’s Scottish maltese poodle called Maf. Also out this week is Tom Clancy’s first new “Jack Ryan” thriller in quite some time, Dead or Alive.
“A lot of writers are big readers. Very often, when you’re writing your day’s work, something you write will remind you of something that you read. And the thing that you read shines a kind of light on the sentences that you’re writing. So I think it would be very hard to write without having read a great deal.” Listen to Salman Rushdie chat with Paul Holdengraber about poetry, film, and his latest project. Liam Hoare writes on the implications of Rushdie’s fatwa.