Here’s a Sunday poem by Elisa Gabbert. Maybe its first line will entice you: “What’s with these geese always wandering / around by the museum?”
Seriously, What’s With Those Geese?
Lowcountry Living
Recommended Viewing: John Lusk Hathaway’s “One Foot in Eden or The Battle of Sol Legare” photography series, which features images of “the rich history and modern struggles” of the small Gullah community outside of Charleston, South Carolina.
●
●
The Joan Didion Documentary
There is going to be a documentary about Joan Didion. We repeat: a documentary about Joan Didion. This is not a drill. Watch the opening trailer and consider donating to the Kickstarter campaign here, and be sure to read our own Michael Borne‘s review of Blue Nights and S.J. Culver‘s Millions essay on “Getting Out: Escaping with Joan Didion.”
●
●
All the Free Books Fit to Download
The new year ushered in more than soon-to-be-broken resolutions. This January 1, a vast cache of works released in 1923 entered the public domain—including tens of thousands of books. Here’s how to download them for free, and here’s what all this means for publishers and readers alike. Happy hunting.
●
●
Bad Sex in Fiction
Bad sex in fiction! Here are your excerpts from Literary Review‘s annual contest.
●
●
Revisiting Vanessa Veselka
Revisiting Vanessa Veselka’s Zazen and what constitutes as an acceptable author bio.
●
●
Grading Died Today
“The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor. Don’t let this dissuade you from revising again and again, which can really improve a piece of writing.” Albert Camus, creative writing instructor.
●
●
Why Words Matter
“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
●
●
From Wharton to Woolf
Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
●
●